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A Rocky Creek Romance
· Doctors, do not look at the camera like it’s a patient needing help through death’s door. Such a pose will speak ill of you, and it won’t do much for your practice, either.
· When photographing stampeding cattle, charging bulls or blazing shoot-outs, use a fast shutter speed
· A man imagines himself more handsome than his photograph; a woman believes herself more homely
· To photograph well, women should dress in sedate colors and unobtrusive patterns. Even the most morally challenged woman can be made to look chaste given suitable attire and lighting
· While posing for a photograph spinsters should avoid looking desperate or deprived. A serene smile will show that your circumstances are by choice and not for lack of beauty or character.
· The way to a man’s heart is through his stomach. For this reason a woman wishing to look appropriately domesticated for her Mail-Order Bride photograph should wear an apron and wield a kitchen utensil (preferably not a rolling pin).
In 1850, Julia Shannon of San Francisco took the family portrait to new heights when she shockingly advertised herself as a daguerreotypist and midwife. After reading about her I just had to write about a lady photographer. Of course, the heroine of A Vision of Lucy doesn’t deliver babies but she still finds plenty of ways to get into trouble.
I loved writing about old time photography and have nothing but awe for the brave souls who first took camera in hand. Not only did they contend with unwieldy equipment but also dangerous chemicals and exploding labs.
Women had an advantage over male photographers who were often confounded by female dress. This explains why one photographer advertised in 1861 for an assistant, “Who Understands the Hairdressing Business.” Women also had a few tricks up their leg of mutton sleeves—or rather their skirts. Elizabeth Withington invented a “dark thick dress skirt” to use as a developing tent when she traveled.
Those cheerless faces in early photographs were partly due to vices that held heads still for long periods of time. Photographers used all sorts of devices to hold a client’s interest. One even had a trained monkey. Another photographer had a canary that sang on command. Mechanical birds were a favorite gimmick and “Watch the birdie” became a familiar refrain in studios across the country.
Magazines and newspaper ran ample advice for posing. An 1877 edition of The Chicago Inter-Ocean advised women with large mouths to say the word “Flip,” although one photographer preferred the word “Prunes.” If a small mouth was the problem the word “Cabbage” would make it appear larger.
Not everyone was enamored with cameras. One dog owner put up a sign warning “photographers and other tramps to stay away” after his dog had an unfortunate run-in with a tripod.
Did photography have a bearing on the suffragette movement? Indeed, it did, but it appeared to be more of a detriment than a help. The photographs of militant suffragettes or women dressed in bloomers did more harm than good.
If you think America was tough on suffragettes, think again. The women’s rights movement was considered the biggest threat to the British Empire. According to the National Archives the votes-for-women movement became the first "terrorist" organization subjected to secret surveillance photography in the world.
Photography has come a long way since those early daguerreotype days. One can only imagine what the brave souls of yesteryear would think of today’s “aim and click” cameras. Now days you can’t even drive down the street without having your picture taken. But as Lucy would say, Never leave the house unless you’re ready for your close up.
My writing career began, and ended, early. I wrote my first book in fifth grade—a mystery without an ending. I was on a roll until I reached eighth grade. Unimpressed with my essay on why I wanted to be a writer my English teacher not only flunked me but suggested I not even think about a career as a writer.
Dream squashed, I did little writing until I became editor of the church newsletter many years later. After making a church picnic read like a Grisham novel, my then pastor took me aside and said, “Maybe God’s calling you to write fiction.” So that’s what I did. I now have 25 books to my credit, published in 15 different languages. I’m currently working on a new series.
Thanks so much for the fun post, Margaret! Readers, be sure and check out Margaret's website at
You can find a Vision of Lucy here.
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